#classicmovies #filmnoir #worldwar2 In 1947, Ann Sheridan, renowned as the 'oomph' girl, starred in the film noir The Unfaithful. Blending crime drama with social commentary,THE UNFAITHFUL vividly portrayed the harsh realities of the post-World War II marriage and divorce crisis. Following WWII, the American divorce rate surged dramatically, largely fueled by an unprecedented wave of GI divorces.

watch THE UNFAITHFUL here ➡️ https://archive.org/search?que....ry=the+unfaithful+an

watch THE BLUE DAHLIA here ➡️ https://archive.org/details/19....46thebluedahlialadal

watch THE BEST YEARS OF OUR LIVES here ➡️

https://archive.org/details/tbyool435345435110

watch NOBODY LIVES FOREVER HERE ➡️

https://archive.org/details/no....body-lives-forever-1

my video on KINGS ROW ➡️ https://www.youtube.com/watch?v=HgnkCyjd7Cg

US Marriage Statistics by year

https://www.cdc.gov/nchs/data/....hestat/marriage_rate

Divorce rate table 1940-1986

https://www.cdc.gov/nchs/data/....mvsr/supp/mv38_02s.p

THE UNFAITHFUL REVIEW NYT

https://www.nytimes.com/1947/0....6/28/archives/the-un

Some of the newspaper articles featured in the video

The Story of the Missing English Wife (this one is pretty crazy)

https://www.newspapers.com/art....icle/quad-city-times

Wife He Left Behind Sues

https://www.newspapers.com/art....icle/daily-news/1447

LOVER'S BULLETS WRITE END TO CONFESSION BY GI'S WIFE

https://www.newspapers.com/art....icle/star-tribune/14

Ann Sheridan back after Suspension

https://www.newspapers.com/art....icle/the-baltimore-s

"Millett Says Veterans Who Sue Wives for Infidelity Forget Their Own Conduct While Away"

https://www.newspapers.com/art....icle/the-independent

Shave Unfaithful Wives Heads

https://www.newspapers.com/art....icle/fort-worth-star

🍹 THE ANN SHERIDAN COCKTAIL

0.75 oz white rum

0.33 oz curaçao

0.5 oz fresh lime juice

Let me know if you try it! CHEERS!

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Film Noir is one of the most distinctive genres in all of cinema, but paradoxically it's hard to pin down exactly what Noir is. This trend that emerged in the early 1940s to reflects the fear, confusion and of a decade at war.

This essay explores exactly what Noir is, by looking at one of the most important films in the genre, Double Indemnity, and tries to pin down its defining elements, the femme fatale, the anti-hero, the Dutch angles and shadows.

Thanks for watching One Hundred Years of Cinema, I will be writing a video essay about at least one film each year from 1915 onward to track the evolution of film over the last century. Please subscribe and share! Thank you!

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With Spoilers From:

Sunset BLVD.
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Ministry of Fear
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Touch of Evil. Welles. Universal International, 1958.
The Killing. Kubrick. United Artists, 1956.
Animal House. Landis. Universal Pictures, 1978.
The Good the Bad and the Ugly. Leone. United Artists, 1966.
The Matrix.Wachowski. Warner Bros, 1999.
Mildred Pierce. Curtiz. Warner Bros, 1945.
The Third Man. Reed. British Lion Film Corporation, 1949.
The Big Sleep. Hawks. Warner Bros, 1946.
Double Indemnity. Wilder. Paramount Pictures, 1944.
Strangers on a Train. Hitchcock. Warner Bros, 1951.
Sunset Boulevard. Wilder. Paramount Pictures, 1950.
Gone Girl. Fincher. 20th Century Fox, 2014.
The Maltese Falcon. Huston. Warner Bros, 1941.
Chinatown. Polanski. Paramount Pictures, 1974.
The Set-Up. Wise. RKO Radio Pictures, 1949.
Dark Passage. Daves. Warner Bros, 1947.
Kiss me Deadly. Aldrich. United Artists, 1955.
Notorious. Hitchcock. RKO Pictures, 1946.
The Killers. Siodmak. Universal Pictures, 1946.
Scarlet Street. Lang. Universal Pictures, 1945.
Cape Fear. Thompson. Universal International, 1962.
Shoot the Piano Player. Truffaut. Les Films du Carrosse, 1960.
Taxi Driver. Scorsese. Universal Pictures, 1976.
Blade Runner. Scott. Warner Bros, 1982.
Blue Velvet. Lynch. De Laurentiis Entertainment Group, 1986.
Se7en. Fincher. New Line Cinema, 1995.
Fargo. Coen. Gramercy Pictures, 1996.
Memento. Nolan. Newmarket, 2000.
No Country For Old Men. Coen. Miramax Films, 2007.
Drive. Refn. FilmDistrict, 2011.
Blue Ruin. Saulnier. RADiUS-TWC, 2013.
Ministry of Fear. Lang. Paramount Pictures, 1944
Mulholland Drive. Lynch. Universal Pictures, 2001
Collateral. Mann. DreamWorks Pictures, 2004

Went on a day trip to Silver Lake, Maryland on October 12th, 2024. Had a lot of fun seeing 2 noir films played on 35mm film as part of a double feature for Noir City DC. Going to this festival really meant a lot to me, it was rather exciting.

The films I got at the festival: Film Noir From Flicker Alley https://boxd.it/zC24Q.

Music in the video: ?, Mangoe, Pancakes, Golden, Strobe, '-' by Jeff Kaale.

A good detective never sleeps. In this video, http://www.WatchMojo.com counts down our picks for the top 10 film noirs. For this list, since experts fail to agree on a standard definition for the genre, we're limiting our choices to gritty, cynical thrillers and crime dramas from the early-'40s to late-'50s that are shot in black-and-white. Special thanks to our users theyakkoman, jkellis, Jaime Enrique Gutierrez Pérez, Vivek Varghese, Max Feldman, Andrew A. Dennison, robozilla94, iSmiTHDawGx, Philip Folta and walkercr3 for submitting the idea on our Suggestions Page at WatchMojo.com/suggest!

Check out the voting page here,
http://watchmojo.com/suggest/T....op%2010%20Film%20Noi

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Help us caption & translate this video!

http://amara.org/v/E79x/

A man (James Austin Johnson) investigates a widow (Aubrey Plaza) accused of murdering her husband.

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